Insights — what the footage says about how the team ran

Click any column to sort. Publish rate is the share of a person’s clips that reached Instagram or TikTok, frame-matched rather than assumed. Volume is not quality and role is not visible here — a producer or a second shooter will look “low” on every column.
Note: this table counts credits, so a clip credited to two people counts for both. Its Clips column therefore sums slightly above the distinct-file totals in the day table below — 8 files carry 18 credits between them. Both figures are right; they answer different questions.

Day comes from the filename, so it is only as good as the naming. Clips with no day token are grouped as Unknown rather than guessed at.

From the Social Video Tracker: 180 assignments across Thu–Sun, matched to real clips by filename, folder path and post caption — with accents, British spellings and glued-together filenames all folded, because each of those silently invented failures that did not exist. A clip with no day in its name is treated as unknown, not absent.

Booked, and no clip exists from anyone on the team. This is the only list that represents coverage the festival actually lost.

Booked to one person, shot by another. Not a failure — the team reabsorbing work in real time. Ben Santos’ entire shortfall is in here.

Everything above is counted. Everything below is interpretation — and the single most important caveat is that the data cannot see roles. Treat these as questions to take into the debrief, not conclusions about people.